In works such as III Ich bin gesandt einen Alb zu Nehmen von der Menschheit (III I am sent to relieve mankind of a nightmare) (1918) and Die Zwitscher-Maschine (The twittering machine) (1922), Klee enacted his famous statement, made in a 1920 essay titled “Creative Confession,” that “Art does not reproduce the visible; rather, it makes visible.” In Klee’s work, other artists found a realm of abstraction between the verbal and the visual; his fitful, organic handling appeared to directly inscribe a train of thought, and with a unique lyricism that persisted throughout his oeuvre. Kunstmuseum Bern, Association of friends. Edited by the Paul Klee Foundation, Museum of Fine Arts, Berne. His work has been the subject of major retrospectives and traveling solo exhibitions at institutions including, among others, Tate Gallery, London (1945); Stedelijk Museum, Amsterdam, which traveled to Palais des Beaux-Arts, Brussels (1957); Akademie der Künste, Berlin (1961); Solomon R. Guggenheim Museum, New York (1967 and 1993); Musée National d’Art Moderne, Paris (1969–1970); Seibu Museum, Tokyo (1980); and The Museum of Modern Art, New York, which traveled to the Cleveland Museum of Art and the Kunstmuseum Bern (1987–1988). MoMA, NYC. “In quality of imagination also he can hold his own with Picasso.”  Alfred H. Barr, Jr., the first director of The Museum of Modern Art, New York, had become familiar with Klee’s art in the 1920s and presented an exhibition of his work in March of 1930, the institution’s first solo show of a living European artist. In 1947, the Paul Klee Foundation was established in Bern and housed within the city’s Kunstmuseum. Klee's style consists of vibrant colors, strong lines and a primitive element. “I was trying to build something out of dots, out of lines,” she later reflected, “out of a structure built of those elemental elements and not the transposition into an idea.”. . A pioneering modernist of unrivaled creative output, Paul Klee (1879–1940) counts among the truly defining artists of the twentieth century. him, at times, as “unapproachable”—but the territory he opened up through his work continues to affect other artists today, generations after his death in 1940. Paul Klee: Catalogue Raisonné. There are many facets to Klee’s art, and we are so excited that we can now embark on this journey to introduce his singular vision to a younger generation. Another painter who gained a lot of fame for his expressionist style is Edvard Munch, … 1965 - 1968, Anita Moppert-Schmidt, … This record is a work in progress. Klee taught at the Bauhaus, and wrote about color theory. From 1898 to 1901, Klee studied in Munich, first with Heinrich Knirr, then at the Kunstakademie under Franz von Stuck. Actor's Mask. Opening hours during holidays 1927. Two years later, in 1914, Klee traveled to Tunisia with his friends, the artists August Macke and Louis Moilliet, a revelatory experience that the artist credits with further awakening him to color. During the 1920s, Klee’s unique use of line—he is said to have called it his “most treasured possession”—inspired his contemporaries both formally and conceptually. Paul Klee may have been remote in person—some described him, at times, as “unapproachable”—but the territory he opened up through his work continues to affect other artists today, generations after his death in 1940. Zijn werk behoort tot de moderne kunst “Seeing Miró in light of Klee,“ Elizabeth Hutton Turner writes, “was to witness how Miro had gained entry to an autonomous sphere of abstraction and the unconscious via Klee’s seemingly boundless atmosphere of color and running lines.” Miró later said, “My encounter with Klee’s work was the most important event in my life.”. 1927. Museum of Modern Art, … Information from Wikipedia, made available under the. renzodionigi has uploaded 31548 photos to Flickr. This particular painting outlines how colour would play a crucial role in his work. Klee’s energetic experimentation with forms and materials has proved influential for artists from Anni Albers and Joan Miró in the 1920s to Ad Reinhardt, Mark Rothko, and living artists such as Etel Adnan, Michaela Flatley, and Richard Tuttle. A student in the Bauhaus weaving workshop when Klee began teaching Theory of Design there, in 1927, the young Anni Albers transformed her teacher’s instruction to “take a line for a walk” into physical form using thread—an approach that propelled her whole career as an artist. If you have additional information or spotted an error, please send feedback to [email protected]. Die Zwitscher-Maschine (1922) – Paul Klee. By visiting our website or transacting with us, you agree to this. Article from flickr.com. One of the most highly regarded modernist painters of the 20th century. Hermann (1880-1962) and Margrit Rupf, Bern, acquired from the artist. Paul Klee (Münchenbuchsee, 18 december 1879 – Muralto, 29 juni 1940) is een Duits/Zwitserse kunstschilder die figuratieve schilderijen maakte met een uitgebalanceerde kleurtechniek. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Monument im Fruchtland 3 P.O. MoMA, NYC (by renzodionigi) Paul Klee was a Swiss painter and important figure in the development of early 20th-century avant-garde art. Zentrum Paul Klee, Bern Watercolour on gauze and paper Above Mountain Summit: 1917 31 x 24.1 Kunstmuseum Den Haag: Gouache on paper Municipal Jewel: 1917 16.8 × 26 Metropolitan Museum of Art, New York Watercolor, gouache, and graphite on gesso on paper, on cardboard Colorful Architecture: 1917 26 x 20 Metropolitan Museum of Art, New York Please email [ email protected ] architecture in Germany exhibitions, Paul, 1879-1940 Publisher New York: R.... De kunstenaar weer eens speciale aandacht stills please contact the film Study Center taidetta.. oli... To know about our online exhibitions, Paul, 1879-1940 Publisher New York, presented EY!... NYC presented the EY exhibition: Paul Klee was a Swiss-born German artist all to. In his work aangesloten aan de beginsituatie van de leerlingen en het vakconcept ekspressionistisen Der Blaue Reiter -ryhmän jäsen “. Say, that a Klee never became another Klee. ' '' curiosity! 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